Javier Guerrero
Javier Guerrero is an Associate Professor in Latin American studies at Princeton University. His literary work explores the intersection between visual culture, gender studies and sexuality in Latin America. Guerrero is the author of, "Escribir después de morir." "El archivo y el más allá" (Metales Pesados, 2022); "Tecnologías del cuerpo." "Exhibicionismo y visualidad en América Latina" (Iberoamericana/Vervuert, 2014); a book on the filmmaker Mauricio Walerstein (FCN, 2002), and the novel "Balnearios de Etiopia" (Eterna Cadencia, 2010).
Jens Andermann
Jens Andermann is professor of Spanish and Portuguese at New York University and editor of the Journal of Latin American Cultural Studies. He has taught in London, Berlin and Zurich, and has been a visiting professor at the universities of Buenos Aires, Rio de Janeiro, Duke, Princeton and Columbia. Author of New Argentine Cinema (I. B. Tauris 2011; Paidós 2015), The Optic of the State: Visuality and Power in Argentina and Brazil (University of Pittsburgh Press2007; EdUERJ2014) and Mapas de poder: una arqueología literaria del espacio argenti- no (Beatriz Viterbo 2000). He organized compilations such as Natura: Environmental Aesthetics After Landscape (Diaphanes 2018), La escena y la pantalla: cine contemporáneo y el retorno de lo real (Colihue 2013), New Argentine and Brazilian Cinema: Reality Effects (Palgrave 2013), Galerias de progreso: exposiciones, museos y cultura visual en América Latina (Beatriz 2006), among others, as well as issues of journals on post-dictatorial memory and counter-monumentality in the Southern Cone and Brazil.
José Luis Falconi
Artist, curator, art critic, writer and editor. He was curator of Art Forum at the David Rockefeller Center for Latin American Studies at Harvard University, where he curated over thirty exhibitions of cutting-edge Latino and Latin American artists. Until July 2017, he was a member of the Department of Art History and Architecture at Harvard University, where he completed his postdoctoral studies. He currently serves as Professor of Art and Human Rights at the University of Connecticut.
Juan José Santos
Art critic and independent curator. He is founding director of Art on Trial. Author of the book "Curaduría de Latinoamérica" (Cendeac, 2018), "Curaduría de Latinoamérica Vol II" (Cendeac, 2020) and "Juicio al postjuicio. ¿Para qué sirve hoy la crítica de arte?" (Ministerio de Cultura y Deportes de España, 2019). Contributor to El País and its supplement Babelia, ARTnews, Bomb magazine, Momus, Spike or Berlin Art Link among others. PhD student at the Universidad Autónoma de Madrid with a research on alternative museums in Latin America.