«Trabajos, 1969-2017» («Works, 1969-2017») is a singular exhibition of Eugenio Dittborn’s trajectory over the last fifty years. The works that coexist here -from the airmail paintings to the last drawings made by Dittborn before he «stopped working with his hand»-effectively capture the attitude of an artist that distrusts last words and all fixed states of affairs (including that of his own work). Little by little and at a rhythm of small discoveries, this constellation of images and visual practices allows us to see what Ana María Risco calls an authentic pictorial poetics. A poetics where things that seem absolutely indeterminate are, in reality, the result of a calculation, in the same way that things that seem absolutely calculated lead us incessantly to the indeterminate.”