The ruins with which we coexist are not only the debris and material remnants of the past; they are, above all, the testimony of the losses associated with that disappearance. They also force us to deal with a series of conflicting stubble, the immaterial rust of decaying political institutions, expired ideological structures and archaic biases that remain, despite the accelerated degradation of the present.
Tacla speaks of places in Destruction. These are not monumental ruins or relics evocative of a present but petrified memory, but the perpetual transformation of a moment after the din, the image that follows the breaking point that originates it.
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EXHIBITIONS
October, 2022
And suddenly, there was no longer a shore. Part two.
Various artists
This two-part exhibition takes as its starting point the tension between humidity and dryness. Through a movement between both qualities, the works gathered here explore aspects such as landscape, eroticism, language, colonial memory, extractive violence, crisis and regeneration of the planet. This first exhibition explores the possibilities of the liquid and the second will focus […]
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June, 2022
And suddenly, there was no longer a shore. Part one.
Various artists
This two-part exhibition takes as its starting point the tension between humidity and dryness. Through a movement between both qualities, the works gathered here explore aspects such as landscape, eroticism, language, colonial memory, extractive violence, crisis and regeneration of the planet...
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January, 2022
Pequeña y Hermosa Conjetura
Artist: Gonzalo Díaz
The exhibition Pequeña y hermosa conjetura brings together more than 30 years of the career of artist Gonzalo Diaz, winner of the 2003 National Visual Arts Award. Along with Fotoperformance -a work exhibited for the first time in Chile since its first appearance in Cirugía Plástica...
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October, 2021
La Parte Maldita
Artist: Patrick Hamilton, Josefina Guilisasti, Christian Salablanca
Taking as a starting point a dislocated reading of Georges Bataille’s The Accursed Share (1949), this exhibition seeks to continue reflecting on violence, but now through the work of three contemporary artists. In El caso de las cajitas de agua (2003), Josefina Guilisasti takes a police case from history to elaborate, in seven parts, a […]
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December, 2020
Distanciamiento Social
Artist: Paz Errázuriz
«In my work there is a continuity. I could also call it a set of variations on the same theme. Small chapters that always point to the same thing. They are closed, marginal spaces, spaces of minorities. One learns to travel through worlds that are closer than we think. It is as if one had […]
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