Activities

The third and last meeting of the cycle "Conversaciones y derivas", around the work of Diego Bianchi, was about the investigations that the Argentine curator Nancy Rojas has carried out around the presence of the field of the strange and the creepy in contemporary art putting it in dialogue with those dimensions that are gestated in the work of Diego Bianchi.

Last Monday August 14 at noon we were joined by artist Carlos Arias and critic and academic Diego Parra for a discussion at Il Posto Documentos. The talk revolved around Aria's exhibition "Chile: Amnesia de Verdad", presented at the National Museum of Fine Arts and curated by Cuauhtémoc Medina. 

During the month of August we received at Il Posto Documentos very important visits from abroad. In one of those instances, the Director of Il Posto Documentos, Antonio Echeverría, had the opportunity to talk with the prominent Mexican academic and curator, Cuauhtémoc Medina.

The second meeting of the series “Conversaciones y derivas” was the first collaboration between Il Posto and the RESET curatorial and institutional research platform. In this meeting, a dialogue was held with the artist in relation to his work in the institutional space to analyze and delve into the practices with which he destabilizes and softens these spaces.

This conversation revolved around the work developed by Manuela Moscoso as curator of the Liverpool Biennal in 2021 “The Stomach and the Port'' where Diego Bianchi, participated with his piece “Inflation”, which is currently being shown at Il Posto. The dialogue referred to the dimensions of the digestive and organic processes in the artist's production.