Amalia Pica

Neuquén, Argentina, 1978

Encompassing sculpture, performance, installation, video, and drawing, Amalia Pica’s work examines systems of communication and what brings people together. Using seemingly simple materials and found objects, she investigates human modes of interaction, especially our desire to be understood and the accompanying pleasures and failures. Pica considers shared visual codes associated with verbal and nonverbal language systems – often incorporating playful signifiers of collective expression and cultural celebration such as bunting and confetti – ultimately exploring cultural intimacy and the political potential of joy. As a result, her work has a lightness of touch and a feel-good quality, which Pica prioritizes for its power to draw viewers into a conversation.

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